I recently read an article in "The New York Times Magazine".
It was by a man by the name of Matthew Crawford from Richmond, VA. I felt an instant kinship to this guy because he wrote so eloquently about something that I always felt quite strongly about and wish I had taken the time to have written.
In short he explains his development and migration from the academic driven, white collar workplace to the hands-on, literally roll-up-your sleeves, manual labor work world. I am reluctant to go into further detail in describing his dead-on accurate evaluation of the benefits of his transition. I will just say this. I agree 100% with his point of view and think that we as a country, people, world and workplace would all benefit greatly by heeding his advice.
What follows is an excerpt of the article and a link to the entire text online if you so choose to read the whole thing. I think it would be worth your time.
Nor can big business or big government - those idols of the right and the left - reliably secure such work for us. Everyone is rightly concerned about economic growth on the one hand or unemployment and wages on the other, but the character of work doesn't figure much in political debate. Labor unions address important concerns like workplace safety and family leave, and management looks for greater efficiency, but on the nature of the job itself, the dominant political and economic paradigms are mute. Yet work forms us, and deforms us, with broad public consequences.
The visceral experience of failure seems to have been edited out of the career trajectories ofgifted students. It stands to reason, then, that those who end up making big decisions that affect all of us don't seem to have much sense of their own fallibility, and of how badly things can go wrong even with the best of intentions (like when I dropped that feeler gauge down into the Ninja). In the boardrooms of Wall Street and the corridors of Pennsylvania Avenue, I don't think you'll see a yellow sign that says "Think Safety!" as you do on job sites and in many repair shops, no doubt because those who sit on the swivel chairs tend to live remote from the consequences of the decisions they make. Why not encourage gifted students to learn a trade, if only in the summers, so that their fingers will be crushed once or twice before they go on to run the country?
There is good reason to suppose that responsibility has to be installed in the foundation of your mental equipment -- at the level of perception and habit. There is an ethic of paying attention that develops in the trades through hard experience. It inflects your perception of the world and your habitual responses to it. This is due to the immediate feedback you get from material objects and to the fact that the work is typically situated in face-to-face interactions between tradesman and customer.
An economy that is more entrepreneurial, less managerial, would be less subject to the kind of distortions that occur when corporate managers' compensation is tied to the short-term profit of distant shareholders. For most entrepreneurs, profit is at once a more capacious and a more concrete thing than this. It is a calculation in which the intrinsic satisfactions of work count -- not least, the exercise of your own powers of reason.
Ultimately it is enlightened self-interest, then, not a harangue about humility or public-spiritedness, that will compel us to take a fresh look at the trades. The good life comes in a variety of forms. This variety has become difficult to see; our field of aspiration has narrowed into certain channels. But the current perplexity in the economy seems to be softening our gaze. Our peripheral vision is perhaps recovering, allowing us to consider the full range of lives worth choosing. For anyone who feels ill suited by disposition to spend his days sitting in an office, the question of what a good job looks like is now wide open.
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I had a predetermined plan and a very clear idea of how I wanted to proceed with what I was trying to accomplish and then somewhere along the way what I was trying to control ended up pushing me in a direction I had never anticipated. Such was the course of my road trip.
After laying out a rough itinerary and going as far as to write down an outline of all the places I wanted to visit and all the things I wanted to photograph, the whole process just sort of took over itself. I did manage for the most part to do all the things I wanted to, but the outcome was more revealing of how I think in terms of imagery than I would have imagined.
I have always approached my work from a "less is more" perspective, and I know I have a visually, graphically simple way of looking at things. But, when I eventually got through all the images and began to edit down the strongest pics a pattern began to emerge.
Granted, there are a lot of pics that did not fall into my "Simple graphic style" group but they were also not the most visually compelling or dynamic. At least I didn't think so.
I'm sure in the future I will revisit the whole lot and make additional edits and selections that, for whatever reason at the time motivates me to prefer one over another, but for now here is just a sampling of what I and my eye saw during this brief trek.

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I have been working on my road trip pics for awhile now and will be posting a ton of them in the next couple of days. But in the meantime I have to show off more shots of Katrina for her portfolio. I actually shot these right after I returned from my road trip, but just like everything else it's taken me way longer to edit down to a group that I really like. Again, all these were shot without any artificial lighting - my favorite portrait lighting.

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It's been about a month since my last post. A HUGE SORRY. I had grand intentions of posting every few days while on my roadtrip. Best laid plans and all - it just got way too time consuming to spend so much time editing on the road. My first priority was to shoot. So that's how I spent the bulk of my time.
Since returning I have done a couple of rough edits on close to 2000 images. Over the next several days (hopefully not weeks) I will be posting the pics from the trip. See ya soon.
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I have been traveling to Florida for all of my life. My family began spending summer vacations there when I was very young. Four years old as a matter of fact.
My great grandfather used to have a house in Daytona Beach which was demolished in the late sixties or early seventies to make room for a new convention center. Progress moves allegedly forward. It just seems strange because so much has changed. The old beach tower is gone, but the Band Shell is still there, tragically it's surrounded by condos. Yikes!
Anyway, I made my way down to Miami and South Beach where I had never been before. Here are some pics from this past Friday afternoon, the 27th of March. I'm just about to venture into Texas. So more pics coming. Not sure when though. Unfortunately it takes quite a while to process, adjust, resize and post, so I may not be doing this as often as I originally intended. I will definitely get stuff posted upon my return.






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I have been wanting to take a road trip for a long time. Well, I am finally doing it.
I left Rhode Island on Saturday the 14th of March. Unfortunately, the day after I left I got a sore throat and was feeling pretty crummy for the first few days. So my first official stop was Savannah Georgia. I had never been to Savannah prior to this trip. It's a very "southern" town with all the charm you would expect. I have posted a few shots from that morning walking the streets of Old Town Savannah. Next stop Daytona Florida to visit Mom and Dad. Then I'm not sure exactly, but definitely west. Check back in a couple of days to see.





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It's pretty tough with such low light at the stove and constant movement. The high ISO helps - I think it was 1600 - but it does bump up the contrast a bit. Still, I remember the days when this was near impossible without some sort of fill flash. Although dragging the shutter always made for interesting results. As Forest Gump might say "You never know what your gonna get".

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It doesn't seem like spring is just around the corner. It's still cold, windy and so desolate at the beach. Although I must admit that as much as I'm a summertime beach bum there is something so peaceful and relaxing about being here when there are no other people around. The only downside is that my fingers start to numb up in pretty short order. Especially when the wind kicks up.



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Just can't get enough of natural light.
It was just bouncing all around the inside of this apartment. Just when I thought I was going to grab a reflector the light would wrap around the room. It can get a little frustrating but when it works you just can't beat it. And Elizabeth was great fun to shoot.




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