Claire Believes from Rick Koconis Photography on Vimeo.


It has been awhile since my last entry. Mostly because I have been engrossed in learning an entirely new medium. New to me anyway. Having the Canon 5D MKII since it first came out just over a year ago I still had not really investigated the video capabilities of this little miracle. In short it is nothing less than astounding. Once I began to get interested in what this camera could actually do it didn't take long for me to become totally sucked into this world of moving pictures.


The camera is amazing. For a relatively small investment (at least proportionately) you have the ability to create the most stunning imagery. Imagery that rivals even the most technically complex productions and output from cameras and video/film production systems that would be completely off limits financially to only the most well funded people.


What makes this camera so amazing is the full frame sensor combined with the ability to use the wide variety of lenses available from Canon. It is also small and stealthy which allows an incredible amount of freedom when shooting.


The 5D MKII is even infiltrating Hollywood. It has become the darling of the Indie filmmaking industry (as well as the newer 7D and 1D MKIV) and is becoming more and more popular in the advertising world in the making of television commercials as well as longer internet infomercials and mini web docu-dramas. It is even being used to film a feature film about Navy Seals called (working title) by renowned Hollywood cinematographer Shane Hurlbut.


Those are all the accolades. There are, however, some caveats to be considered. And, these are caveats not "downsides". There is a significant learning curve. The camera itself is fairly easy to operate in live video mode and coming from a still photography background gives you an advantage over videographers because of your knowledge and experience with basic exposure controls which are so often absent on video only cameras.


The second area of knowledge which needs to be acquired and, most important as far as I am concerned, is the ability to tell a story. Which is to say you are not telling a story through a single image or series of single images but through a continuous flow of ideas which involve not only moving and still images and the lack thereof but the incorporation of sound be it music, voiceover or natural background sound. All these things involve your ability to put them together in a cohesive format which will lead your audience in the direction you want them to go.


The last and, almost as important, part of this puzzle is editing or post production process. This is probably the most daunting because it involves educating yourself to a series of new technical processes that are essential to success. Learning both video and audio editing software and processes is not easy but once you start it can become addictive. Especially when you see whats available to you and just what you can accomplish the more proficient you become.


There are also the extensive lines of accessories available for this camera. This also involves an education to figure out what you really need vs. what is just frosting on the cake. The few pieces which I believe are necessary are a fluid head for your tripod, some kind of rig which is an apparatus which allows for smoother carrying/shooting when handheld, some sort of follow-focus used for pulling focus from one plane of focus to another, a stand-alone audio recorder (these cameras internal mic's are not very good - this is a subject in and of itself) and finally video and audio editing software.


So that's my two cents on my initial foray into all things video. Here's my first shot at putting together a short documentary. Hopefully I got some things right. I am still learning.


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It has been over a month since my last entry. I have been busy with all sorts of things and it is the Holiday season and Christmas is just a few days away. But to be honest I just haven't had much that I felt was significant enough to devote the time.


I think I started this blog over a year ago. My intent was to create a journal which might facilitate the exchange of information related to photography and the creative process. In addition there is the marketing aspect of blogging that I was also interested in exploring. 


Since that time I have visited many other blogs for info, insight and general interest and I have discovered something that I hadn't anticipated. I am asking myself more and more, why are we doing this? When I first started this process I was rabid to see what everyone else was talking about and what incredible knowledge and insight I was going to gain. I suppose I have become somewhat jaded, and I guess that's to be expected, but I'm just not sure I'm "getting it" anymore. (insert joke here)


Please don't misunderstand. I am not anti-technology. I get the whole "viral thing" and the need to be relevant in the new millennium. I know it's important to stay current with new advancements. I have all the latest and greatest tech toys. At least the ones I can afford. I think the iphone is amazing and I don't know what I would do without my "Desktop Darkroom". Over the course of the last two years I have been finally swayed into the world of digital and I am a convert and believer. (Although I still love the preparation and thought that is required when loading a roll of 10 shots into the RZ and having to wait for processing before you know exactly what you got). When something is truly better because of technology I will be the first to sign on. So I cry Uncle. I give up. Please no more.


I guess where my issue lies is that I find myself more concerned about the mechanics of this whole thing when I know I should be concentrating less on the "how" and more on the "what". I am forever stressing over how long it's been since my last blog entry. I feel a self-imposed pressure to create a post even when I have nothing to say. But more than my own misgivings I am finding that I am increasingly disappointed with the lack of actual meaningful input on other blogs.


I know, glass houses and all, but lately I have been amazed at the useless, mindless, and blatantly amateur postings I have been experiencing. It's not so much the blogs themselves. At least not the ones that I read. Although there have been a few postings lately from what I had always considered responsible vehicles that have been less than riveting. But, I have spent too much time reading comments from knuckleheads. I suppose when you put your views out for everyone to see that's the danger you risk.


Here's my beef. Stop commenting just to drive readers back to your own blog or site. Or at least make an effort to present yourself, your work and your opinions in a more professional manner when I get there. I know that everyone is not Avedon, Penn or Stieglitz. But, please at least attempt an effort to make it look like you take pride in your work.


I am sure whoever has read this far, if anyone, is totally convinced I have a huge chip on my shoulder. Think what you like. Maybe I do. It is, however, disappointing to see the dumbing down of this profession at the hands of convenience via technology.


One specific example I can think of to illustrate my point is Flickr. I used to spend a decent amount of time reviewing peoples work on this site. I can't do it anymore. It's a complete waste of time. I know that I am probably missing out on some amazing work. The problem is I have to weed through all the junk to find it. There are reasons there are editors in this world. God knows the majority of what I create is crap. It's a process. A back and forth. An evolution to get to your final piece. The one you want the world to see. It's work. Just because we have cameras that enable us to bang off a thousand shots at a clip doesn't mean you have to upload every single one of them to your site, blog, webpage, youtube, vimeo, flickr, fbook, myspace, yourspace or whatever. Yikes. Exercise a little restraint. Maybe, just maybe, we might want to step back, take a breath and figure out exactly what we are trying to communicate though our imagery. Maybe we should spend more time deliberating in our heads before we fire the shutter. A little more thought and a little less "shoot from the hip".


I can't remember where I read this (probably a blog) but I think it carries an important message. Every once in a while shoot film. It teaches a couple of valuable lessons. First, you force yourself to think more about what you are going to shoot, both from an aesthetic (content and composition) as well as a tech (exposure, lighting, depth of field, etc..) perspective. And, second, patience, because you are forced to wait. No instant gratification. 


I'm ranting and rambling now, but I hope I have made my point. My final thought on this (Really) is this. Don't feel as though just because you have a blog you have to post to it all the time. If you don't post for a week or a month, so what. If you don't have anything good to say then don't say anything. By all means, though, if you feel the need to wax eternal far be it from me to rain on your parade. I guess what I am trying to say is that we are photographers, creatives, designers and such, maybe we should spend more time photographing, creating and designing and less time talking about it.


I'm gonna go take a picture.

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I know that when I visit other photographers blogs or sites I am always interested in knowing what type of equipment they use. I think it's really helpful to get others perspective and personal preferences on what they prefer to use and why. I'm not a tech-head by any stretch, but I do think that the tech side of photography is very important. I also want to say that I am not endorsing any manufacturer or brand. This is just my opinion on what works for me.

First let me say that although I have entered into the world of shooting digitally I continue to shoot film on a regular basis. This is not to say that I think film is better, just preferred in certain situations. Much of my reasoning for not "Going Totally Digital" is the investment toward equipment, which I feel, is not where it needs to be yet for the cost. Having said that, Phase One, who has recently partnered with Mamiya, just released the largest pixel count (60.5 megapixels) on the largest sensor (full size 645) available. As good as this is, there is still a lens conversion issue if you want to put this new back on something other than a 645 camera and I'm not ready to abandon my three RZ bodies and various RZ lenses just yet. Not to mention the price, which is around $40K.

My solution, to this point, has been to combine digital shooting with medium format film shooting and digital editing or workflow. I began shooting digitally using the Canon 5D. For the money you can't beat this camera. It will give you great image resolution up about 9x12 at 300 dpi. But, I just recently got my hands on the new 5D MK II. This camera is just short of amazing. In addition to the 21 mega pixel full frame sensor this thing records HD 1080 video. When I shoot film I use the Mamiya RZ67 and scan the transparencies on a Nikon 9000ED film scanner. With this arrangement, scanning a full size 6x7 transparency, I can achieve an extremely high-res 16 bit image file which translates into 30"x36" at 300 dpi output.

I will concede that the final file is extremely large (565 mb for the 16 bit version) but you can't beat the final output quality when going to press.

As far as image editing and archiving, everything is done through Adobe Lightroom, Bridge, and Photoshop CS3 all running on a Dual Core Intel MacPro with a total of 3 terabytes of hard disk space, 12 Gigs of RAM, with the whole lot being backed-up redundantly using a DROBO.

This is just a rough idea of the "Why I use what I use". What follows is a detailed list of the "What I use" part.


Pelican.jpg

CAMERAS & LENSES

Mamiya RZ 67 Pro IID
Mamiya RZ 67 Pro II
Mamiya RZ 67 Pro

Multiple 120 Film Backs and Polaroid backs

RZ 67 Prism Finders - 2 (love the RZ; just hate looking at things upside down)

RZ 4.5 50mm wide angle
RZ 3.5 90mm normal
RZ 2.8 110mm normal
RZ 4.5 180mm portrait
RZ 4.5 75mm tilt-shift

Canon EOS 5D MKII - WOW!!!

Canon EOS 5D

Canon EOS 3 - 2 (film camera bodies that I just can't part with)

Canon 4.5-5.6, IS 100-400 mm
Canon 2.8, 28-70mm
Canon 2.0, 135mm
Canon 2.8, 16-35mm (what an awesome lens)
Canon 2.8, 100mm macro

Various B+W UV and Polarizing Filters


Tenba.jpg

LIGHTING & GRIP

Profoto Acute 1200 Power Pack

2 - Profoto Acute D4 Flash Heads

2- Profoto 2x3 Softboxes

1- Profoto 3x4 Softbox

1- Profoto 1x3 Striplight Softbox

2- Profoto Beauty Dishes (1 White, 1 Silver)

Various Profoto Grids

Canon 580 EX II Flash with Lightsphere Diffusers

Quantum Turbo Battery Pack

Various Manfrotto Tripods, Light Stands, Light Booms, and Backdrop Stands

Calumet 4'x4' Panel Frames with white translucent scrims/reflectors

Wescott 5'x6' Portable Backdrop - Black one side, White on the other

Photoflex 3' round, White/Gold and White/Silver Reflectors


Monitors.jpg


COMPUTERS, SOFTWARE, SCANNING & PRINTING

MacPro - 2 x 3 Ghz Dual Core Intel w/12 Gigs of RAM and 3 Terabytes Hard Disk space - running OS Leopard 10.5.4

MacBook Pro 17 inch Hi-Res Gloss Monitor 2.4 Ghz Dual Core Intel w/4 Gigs of RAM and 500 Gigs of Hard Disk Space - running OS Leopard 10.5.4

Drobo Robot w/ 3.5 Terabytes of redundant back-up space (love this thing)

Power Mac G4 - 1.5 Ghz PowerPC w/1.5 Gigs of RAM and 200 Gigs of Hard Disk Space - running OS Tiger 10.4.10

23" Apple Cinema Displays - 2

Nikon 9000 ED 4000 dpi Film Scanner w/Glass Mount 120 Film Tray

X-Rite i1 Color Calibration Package for Monitors and Printers - This stuff is essential if you plan on having your images maintain and reflect accurate color over a variety of output vehicles.

Seagate 300 Gig External Drive

Western Digital Passport 500 Gig External Drive (great little drive for use when shooting with the MacBookPro)

Adobe Lightroom, Bridge, Photoshop CS3, InDesign, Illustrator, Acrobat 8 Pro, Microsoft Office 08, Extensis Font Fusion and Apple Aperture (although I have to admit I have become a complete Lightroom convert)

Epson 3800 Professional Ink Jet Printer 17"x22" w/Colorburst Postscript Rip (fantastic printer for the money and the black and white capability is outstanding) This printer is a much better option over the 4800 because of the need for manual ink change when going from color to black and white - not good. The only advantage I can see of the 4800 over the 3800 is the ability to roll feed.

Epson 2000P Ink Jet Printer - Yes it's old, but still reliable for banging out high quality color prints up to 13"x19"

HP 2200 B&W Laser Printer - Great for all the admin crap I have to do.

Pelican Hard Cases for Cameras and Laptop

F64 Canvas Camera Bags

Tenba Cases for Cameras, Lighting Equipment, and portfolios.

Apple 80 Gig Ipod - Can't live without it.

Apple 32 Gig Ipod Touch - This thing is great for keeping a mini digital offline portfolio if you don't have mobile broadband or wifi access.

Just an FYI about equipment and Supplies. I buy almost everything through B&H Photo in New York. These guys are the best. I have never been disappointed with either their selection (they have everything) or their service. They are always helpful and their website is easy to navigate and order through. They also have a great used department which I have used often and they guarantee everything.

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