Claire Believes from Rick Koconis Photography on Vimeo.


It has been awhile since my last entry. Mostly because I have been engrossed in learning an entirely new medium. New to me anyway. Having the Canon 5D MKII since it first came out just over a year ago I still had not really investigated the video capabilities of this little miracle. In short it is nothing less than astounding. Once I began to get interested in what this camera could actually do it didn't take long for me to become totally sucked into this world of moving pictures.


The camera is amazing. For a relatively small investment (at least proportionately) you have the ability to create the most stunning imagery. Imagery that rivals even the most technically complex productions and output from cameras and video/film production systems that would be completely off limits financially to only the most well funded people.


What makes this camera so amazing is the full frame sensor combined with the ability to use the wide variety of lenses available from Canon. It is also small and stealthy which allows an incredible amount of freedom when shooting.


The 5D MKII is even infiltrating Hollywood. It has become the darling of the Indie filmmaking industry (as well as the newer 7D and 1D MKIV) and is becoming more and more popular in the advertising world in the making of television commercials as well as longer internet infomercials and mini web docu-dramas. It is even being used to film a feature film about Navy Seals called (working title) by renowned Hollywood cinematographer Shane Hurlbut.


Those are all the accolades. There are, however, some caveats to be considered. And, these are caveats not "downsides". There is a significant learning curve. The camera itself is fairly easy to operate in live video mode and coming from a still photography background gives you an advantage over videographers because of your knowledge and experience with basic exposure controls which are so often absent on video only cameras.


The second area of knowledge which needs to be acquired and, most important as far as I am concerned, is the ability to tell a story. Which is to say you are not telling a story through a single image or series of single images but through a continuous flow of ideas which involve not only moving and still images and the lack thereof but the incorporation of sound be it music, voiceover or natural background sound. All these things involve your ability to put them together in a cohesive format which will lead your audience in the direction you want them to go.


The last and, almost as important, part of this puzzle is editing or post production process. This is probably the most daunting because it involves educating yourself to a series of new technical processes that are essential to success. Learning both video and audio editing software and processes is not easy but once you start it can become addictive. Especially when you see whats available to you and just what you can accomplish the more proficient you become.


There are also the extensive lines of accessories available for this camera. This also involves an education to figure out what you really need vs. what is just frosting on the cake. The few pieces which I believe are necessary are a fluid head for your tripod, some kind of rig which is an apparatus which allows for smoother carrying/shooting when handheld, some sort of follow-focus used for pulling focus from one plane of focus to another, a stand-alone audio recorder (these cameras internal mic's are not very good - this is a subject in and of itself) and finally video and audio editing software.


So that's my two cents on my initial foray into all things video. Here's my first shot at putting together a short documentary. Hopefully I got some things right. I am still learning.


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October 21, 2009 Black and White Conversion

I've got a ton of black & white work which was mostly shot on film.


I still remember loading film into the little black canisters in the dark and being so anxious to see the results. Even though they were negative and you still had to print a proof sheet to get an accurate look at what you had shot, it was like opening presents at Christmas.


Lately I have been experimenting with creating black and white images from color files, both in Lightroom and Photoshop. I still haven't decided which process I think works best or if it is a combination of the two. I'm thinking it's probably the latter of the two, but the jury's still out.


Also, I am still working in CS3, so I'm not sure what new capabilities, if any, are available in CS4. (Probably should upgrade soon.) Although I can't really imagine hoe much more advanced they could get with this process. I seems as though they are covering all the bases now.


Here's just one example that I'm pretty happy with of a recent shoot that was shot with just color in mind.


Kurt B&W.jpg

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October 3, 2009 Big! Big! Big!

I love big. I have been editing pics for a couple of days and I just can't keep thinking that I want to see all of these REALLY BIG.


It always seems that whenever I edit down to my strongest images they are simple, graphic and have a very limited background. OH, and I want to see them BIG!. My monitors just are't anywhere near big enough.


Not sure where this comes from, although I watched a really cool bio special on Chuck Close the other night. I think it was the Sundance Channel. Talk about big. This guy is over the top in so many ways. I could go on for a very long time about Mr. Close. Kinda ironic, the name and all. Watching him paint is like watching the movie "The Usual Suspects". You can watch the ending over and over and still not be entirely sure what is going on behind the curtain. That's Chuck Close. He is entirely in your face and out in the open about his process and yet you can watch every tiny little detail and still walk away wondering "How the hell does he do that". And everything is so friggin' big.


The only other thing that comes to mind is Avedon's "In The American West" exhibit. Unfortunately I have never had the chance to see these pieces in person. (Something on my life to do list.) But the images are so stark, in your face, and BIG. I think I remember reading that the exhibited prints were something like six feet high. And sharp as a tack. Gotta love the 8x10 view.


Anyway, here's just a sample of an "In Your Face", "So close you scare the band", example of one of the shots that got me on this rant.


BrennaFace1.jpg

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October 2, 2009 No, I'm Not Dead
Yikes.jpg

It's been quite a long time since my last post. I've been pretty busy all summer, shooting, working on the house and all sorts of other stuff. Not that it really matters, but I'm back and have some new portrait pics. Kinda an exercise in white on white, except for the black. Trying to keep an eye on the eyes if you excuse the pun.




Kurt T Comp 900.jpg

Kurt Portrait Comp 900.jpg

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I have been working on my road trip pics for awhile now and will be posting a ton of them in the next couple of days. But in the meantime I have to show off more shots of Katrina for her portfolio. I actually shot these right after I returned from my road trip, but just like everything else it's taken me way longer to edit down to a group that I really like. Again, all these were shot without any artificial lighting - my favorite portrait lighting.


Katrina_09_Comp.jpg

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Just can't get enough of natural light.

It was just bouncing all around the inside of this apartment. Just when I thought I was going to grab a reflector the light would wrap around the room. It can get a little frustrating but when it works you just can't beat it. And Elizabeth was great fun to shoot.


Elizabeth_2.jpg

Elizabeth_1.jpg

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Last year I spent a week in Helene, Honduras as a member of a mission group that provides assistance to the local people. This is an area in Central America that is quite secluded. The residents do not have the benefit of electricity or running water. Their opportunities are extremely limited. The Honduran government does provide access to education, but it is sporadic at best.


This year I will be retuning with the same group for another week at the beginning of October. Our efforts this year will revolve around providing medical help, educational assistance, and general construction and maintenance.


The people of Helene are a joy to be around and have such an optimistic attitude toward life considering their limited living conditions and lack of economic opportunity. Here are a few shots of the local children from last years trip. I should have a lot more from this years trip in a couple of weeks after I return.


Helen Composite 3.jpg

Helene Composite 1.jpg

Helene Composite 2.jpg

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September 16, 2008 An Outdoor Shoot With Katrina

Just got done shooting Katrina, a local aspiring model. These were all shot using the Canon 5D. I'm really beginning to warm up to this camera with its ease of use. It's not the highest resolution around (12.8 mp) but it is a full frame sensor which means there is no lens conversion factor. When you combine this with using Adobe Lightroom, image adjustment control and workflow is quite seamless. Also, you can't beat the price.


Katrina Composite.jpg
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September 11, 2008 Modeling Info
I am always looking for people to model for me and my camera. You don't have to be a "MODEL", in fact I would prefer if you were not. I'm always on the lookout for someone with a little character. You can be old or young, male or female, thin or not so thin, it doesn't really matter as long as you think you can bring some personality to the party. Just send me an email if you're interested. I do ask that anyone who poses for me signs a model release.


Model Composite.jpg

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I took these a few days ago. I am always trying to expand my portfolio with portrait images. It is my favorite type of photography and using natural light as the primary light source is always my preferred way of lighting. Obviously, it's not always possible to shoot using natural or available light but, I try to scheduling shoots so that I can at least take advantage of some natural light and supplement with selective strobe. Ultimately, my goal, even when using strobe, is to create an image that looks as though only natural light was used.


Aunt Mary1.jpg

Aunt Mary Composite.jpg
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